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However, for a small remote studio which is only on-air for a relatively short amount of time each day, it would be very difficult to justify the huge additional cost of multiple Furio cameras over lightweight peds. Do you know how much a Furio system costs? I suspect that they are re-using existing camera mountings they already own, so buying new mountings would be an additional expense they would find difficult to justify. Camera peds are things that go on working for decades and decades if properly looked after. There are jibs working in UK TV studios on peds that were probably built in the 60s or 70s...
I was assuming based on the styles of the set they were going to mimic some of the shots that are used at NBH. I imagine over the life of the set the CAPEX of purchasing the Furios would be cheaper than the OPEX of having someone manning/changing the camera shots for the same time period.
Remember of the five proper studios in New Broadcasting House, only the two which are on air 18 hours a day have been provided with the Furio system. The other studios, despite getting daily use, all have peds. You can do a lot with remote PTZ control and even more with remote height adjustment (as some of the NBH peds are fitted with), without any of the expense of the Furio system.
Given the space constraints in the studio I probably would have gone with using the Furio tracked cameras for simplicity and versatility. You could probably fit two tracks between the catwalk and the desk. I would have the tracks to almost all the way around the desk that way you could shoot with the talent against the windows or the monitor wall. Plus with the Furios you could probably reposition the cameras quicker than person would with out risking a camera man appearing in shot.
However, for a small remote studio which is only on-air for a relatively short amount of time each day, it would be very difficult to justify the huge additional cost of multiple Furio cameras over lightweight peds. Do you know how much a Furio system costs? I suspect that they are re-using existing camera mountings they already own, so buying new mountings would be an additional expense they would find difficult to justify. Camera peds are things that go on working for decades and decades if properly looked after. There are jibs working in UK TV studios on peds that were probably built in the 60s or 70s...
I was assuming based on the styles of the set they were going to mimic some of the shots that are used at NBH. I imagine over the life of the set the CAPEX of purchasing the Furios would be cheaper than the OPEX of having someone manning/changing the camera shots for the same time period.
Remember of the five proper studios in New Broadcasting House, only the two which are on air 18 hours a day have been provided with the Furio system. The other studios, despite getting daily use, all have peds. You can do a lot with remote PTZ control and even more with remote height adjustment (as some of the NBH peds are fitted with), without any of the expense of the Furio system.