NG
Yep - the experience of Plymouth confirmed that upgrading every region (which would have to be to HD) can't follow the Plymouth model.
As a result they are delaying upgrades (though I believe there is a stop-gap solution to replace dying Astons if need be) in the hope that a new opt-out model and new IP (semi-remote production) will be feasible and cost-effective. Effectively VILOR for TV...
But yes - many BBC English regions (other than Salford, Plymouth and London) are pretty much running on fumes. I've seen Thomson cameras with cheap LCD monitors stuck on to replace failed CRT viewfinders, and all sorts of bodges to keep kit running.
Some studios have been upgraded to Sony HD cameras I believe (running SD) - and they will work with whatever future production model is used.
noggin
Founding member
When I was up at Leeds the other month their lighting desk was only running thanks to a bodge with a PC power supply sat on top of it. There's a shortage of quality new kit country wide. The impression I've had is that everyone knows the regions need investment, but nobody wants to sign off on an upgrade which will be outdated in 12 months.
Yep - the experience of Plymouth confirmed that upgrading every region (which would have to be to HD) can't follow the Plymouth model.
As a result they are delaying upgrades (though I believe there is a stop-gap solution to replace dying Astons if need be) in the hope that a new opt-out model and new IP (semi-remote production) will be feasible and cost-effective. Effectively VILOR for TV...
But yes - many BBC English regions (other than Salford, Plymouth and London) are pretty much running on fumes. I've seen Thomson cameras with cheap LCD monitors stuck on to replace failed CRT viewfinders, and all sorts of bodges to keep kit running.
Some studios have been upgraded to Sony HD cameras I believe (running SD) - and they will work with whatever future production model is used.