SP
They used a curved VR set last night (with Julian O'Neill reporting) to illustrate some of the main headlines from the budget. I suspect we'll be seeing much more of this particular VR set.
Not quite sure why they've opted for the rectangular arrangement for the sports segment. And unfortunately the presenter's close proximity to the physical green sheeting is only exacerbating the green reflection on their face and clothes.
Technical question: is there any particular (technical) reason why bright green is the preferred colour for CSO/VR sets? Red would've been a good alternative, given the amount of red also present in the real and virtual sets. A slight red reflection on the main set from the VR section of the studio wouldn't look quite as out of place.
Red is too close to skin tones. I think there is also a technicial reason for using green in the digital domain.
The Euro 2016 bit looks good. The sort of thing you could imagine being done in A at NBH but the rectangular sport section looks out of place when news and sport news is circular now.
They used a curved VR set last night (with Julian O'Neill reporting) to illustrate some of the main headlines from the budget. I suspect we'll be seeing much more of this particular VR set.
Not quite sure why they've opted for the rectangular arrangement for the sports segment. And unfortunately the presenter's close proximity to the physical green sheeting is only exacerbating the green reflection on their face and clothes.
Technical question: is there any particular (technical) reason why bright green is the preferred colour for CSO/VR sets? Red would've been a good alternative, given the amount of red also present in the real and virtual sets. A slight red reflection on the main set from the VR section of the studio wouldn't look quite as out of place.
Red is too close to skin tones. I think there is also a technicial reason for using green in the digital domain.