DT
Well here's a shot of the full set in N6:
Probably larger in floor area than the 1999-2003 or 2003-2006 sets which were both drastically limited in size by the use of rear-projection. In hindsight it does seem odd to have built such a large set and then hidden most of it behind computer graphics - but the 'virtual' wide shot was wider than could have been managed in-studio and the set was certainly extended to the left in a way that probably couldn't have been achieved physically.
It's also important to note that the studio wasn't actually VR - but somebody else will definitely be able to explain how they did it better than me!
That was interesting as the un-VR'ed studio was much larger than I thought, and I always assumed the direct backdrop behind the presenter was all in the computers mind - but still curious as to why with such a large desk, they still computerised the lighting on the front of it? There was space to light it with real lamps and bulbs, exactly in the same look as the computer generated one did.
Well here's a shot of the full set in N6:
Probably larger in floor area than the 1999-2003 or 2003-2006 sets which were both drastically limited in size by the use of rear-projection. In hindsight it does seem odd to have built such a large set and then hidden most of it behind computer graphics - but the 'virtual' wide shot was wider than could have been managed in-studio and the set was certainly extended to the left in a way that probably couldn't have been achieved physically.
It's also important to note that the studio wasn't actually VR - but somebody else will definitely be able to explain how they did it better than me!