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Software used to generate graphics in BBC News reports

... and Sky News, ITV News... (May 2010)

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PE
peterrocket Founding member
As an After Effects user, it would be interesting to see how they have the "templates" setup for the graphics. Being a post-production tool, it can't be used for the Live output, but the dynamic elements like text, with the entrance and exit timings and effects.


Very easy - you just keep everything in the one folder and work from there. That way you can easily transport stuff from one machine to the other.

Anything that's a template - you'd just open up and replace the relevant graphic and then render with the default settings already there. There's an AE template for all the title sequences in English Regions / WNA, you just replace the clips and the text at the end!


Yea, and with post-production it is easy, however the issue with After Effects is that it doesn't have a proper templating system, and is it rendered out as an alphaed VT, or alphaed image sequence, and then overlaid in edit, or is there a specific workflow where it is all rendered through AE? And would Lambie-Nairn or BBC News's graphics team produce a single "template" and pass it round?


Not many graphic systems would have the kind of simple template system you mention - even Quantel kit would still require you to use the 'kit of parts' and model the animation on that, changing type as you go.

As to the files, probably be rendered out as a standard animation and then a matte would be created - systems like Viz etc. work by using FIll and Key signals so the switcher can interpret this and decide what to show, what to hide, and what to make transparent, and anyway the majority of stuff is edited on server or played out from computer so it's easy to drag the files from one machine to the other if they're a Quicktime file with key and fill.

LN would make a simple template, and as long as the layers are labelled and people have an idea of what to do in After Effects, it would be fairly simple to modify and amend. After all, you're not going to let someone who hasn't a clue in After Effects go and work with a template - experience and knowledge is often a pre-requesite of the job.
MD
mdtauk
After all, you're not going to let someone who hasn't a clue in After Effects go and work with a template - experience and knowledge is often a pre-requesite of the job.


How do you explain BBC London Razz
PE
peterrocket Founding member
Viz Razz
MS
Mr-Stabby
A virtually unknown region perhaps, but BBC Channel Islands use Apple's Motion software. Templates are made in that, and VJ's access the template in Final Cut Pro when they are editing their reports, and simple changes can be made, such as putting pictures in Drop zones, changing text and some other basic things. It then drops straight onto their Final Cut timeline. Even astons and other straps on reports are not transmitted live, but created using the Apple Motion template system, put on the timeline and saved as part of the package. The disadvantage of that of course is that the astons/straps etc are burned into the package, so if you need archive footage later down the line when you've changed branding, if you don't have the original RAW footage to hand, you have to somehow hide the old graphics.
MW
Mike W
A virtually unknown region perhaps, but BBC Channel Islands use Apple's Motion software. Templates are made in that, and VJ's access the template in Final Cut Pro when they are editing their reports, and simple changes can be made, such as putting pictures in Drop zones, changing text and some other basic things. It then drops straight onto their Final Cut timeline. Even astons and other straps on reports are not transmitted live, but created using the Apple Motion template system, put on the timeline and saved as part of the package. The disadvantage of that of course is that the astons/straps etc are burned into the package, so if you need archive footage later down the line when you've changed branding, if you don't have the original RAW footage to hand, you have to somehow hide the old graphics.


I often wondered why their astons appeared crude on the camera shots and animated on the reports.
And now I know.

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