DE
Yes the news channel have (in the past) had bigger demands on the studio cameras (being able to have 2, 3 or even 4 guests around the table, having double headed presentation, having live studio weather, having correspondents on the catwalks etc). It isn’t so much programming the cameras to get into the right positions to achieve all this, it’s the lighting. A fixed plot can’t achieve the finest lighting for every situation and so the single camera operator also balances the lights and that can involve a lot of tweaks throughout a complicated show. While they’re sitting at the lighting and vision control desk they also ‘rack’ the cameras (adjust the exposure) and adjust the lighting. Plus they can trigger manual camera moves, finely tweak the stored shots etc.
Compare a 1+2 interview in studio C where the director is doing it all to one in E and you can see the difference.
Compare a 1+2 interview in studio C where the director is doing it all to one in E and you can see the difference.