DT
To be fair 2008 was far worse!
Although I'd agree that the Barco era wasn't great, I think the 2003 set is the worst set that the national news have had since they've had proper sets. The rear projected backdrop was far more washed out than you had with the Barcos and the side screens were positioned in such a poor way - really limiting the shots they could do. The desk wasn't awful but wasn't great either - the slightly yellow tint of the internal lights made it look old from day one and the laptops were a retrograde step. Then with the switch to the clamshell look the whole set looked out of place as the titles and sets are from two completely different design aesthetics.
Maybe if they'd refreshed it like this in 2004 they could have made it work?
The idea behind the Barcos was quite good, but the execution was often poor. I believe that the original intention (especially in TC7) was for the Barcos and lightboxes to act as the basis of the set with additional elements wheeled in for each programme. But in reality really only Marr did this and most programmes seemed to just change the backdrop, change a few lighting gels and plonk a different desk and chairs on the rostrums. I actually feel that the post-2008 incarnation of N6 was one of the better uses of the Barco era. I know many people don't particularly care for the fake newsroom backdrop, but the set was an allround step up on the 2006 version of N6 and the News at Ten from N6 always looked nicer than the News at Six from TC7.
^^^That whole set is just so bad. I can't believe BBC used that for a national news bulletin. It would hardly fit local news tbh.
To be fair 2008 was far worse!
Although I'd agree that the Barco era wasn't great, I think the 2003 set is the worst set that the national news have had since they've had proper sets. The rear projected backdrop was far more washed out than you had with the Barcos and the side screens were positioned in such a poor way - really limiting the shots they could do. The desk wasn't awful but wasn't great either - the slightly yellow tint of the internal lights made it look old from day one and the laptops were a retrograde step. Then with the switch to the clamshell look the whole set looked out of place as the titles and sets are from two completely different design aesthetics.
Maybe if they'd refreshed it like this in 2004 they could have made it work?
The idea behind the Barcos was quite good, but the execution was often poor. I believe that the original intention (especially in TC7) was for the Barcos and lightboxes to act as the basis of the set with additional elements wheeled in for each programme. But in reality really only Marr did this and most programmes seemed to just change the backdrop, change a few lighting gels and plonk a different desk and chairs on the rostrums. I actually feel that the post-2008 incarnation of N6 was one of the better uses of the Barco era. I know many people don't particularly care for the fake newsroom backdrop, but the set was an allround step up on the 2006 version of N6 and the News at Ten from N6 always looked nicer than the News at Six from TC7.