NG
It's because Sally is more likely to guests during the evening bulletin so it's harder to maintain social distancing at the desk. Also, most of the cameras are currently in locked off positions. Therefore, moving from the desk to the sofa currently isn't achievable mid-show as it would mean moving lots of cameras (hence increasing staff input and creating possible risk for the sake of it). I think Southampton have some aspects of remote control so they can still do certain zooms etc remotely from the gallery but nothing too sophisticated (such as moving cameras across the floor and repositioning in different locations). So it's a case of either have the whole show from the desk or from the sofa. Guessing the sofa was seen to be the more suitable of the two but when things become more 'normal', they'll be able to transition between the two again as before.
Yes - most English regions have 'remote' cameras but not 'robotic' cameras. 'Remote' camera mountings allow for remote control of pan, tilt, zoom and focus, and in some cases elevation (i.e. height) - but only robotic cameras allow the camera ped to actually relocate within the studio. Robots are much more expensive and have a lot more safety restrictions. (Remote cameras on track like Furios - as used in many of the studios in NBH - are a kind of half-way house - they can only reposition themselves along the length of their tracks, and these tracks can be easily seen so reduce some of the safety issues involved)
When BBC News was based on the 6th floor at TV Centre, N2 had robotic cameras (used for the 'virtual' One, Six and Nine O'Clock News, and Business Breakfast/Breakfast News before they moved to TC7). N1, where BBC World was based, had remote cameras - as did TC7.
Repositioning remote cameras on the studio floor requires an additional person in the studio - which I guess Southampton are trying to avoid.
noggin
Founding member
I don't get why they've ditched the desk for the soft area with bulky laptop and gubbins on full display. Does anyone here know the the reasoning, I'm assuming covid/cleaning/distancing but I don't get why that would rule out the desk for the 6:30.
It's because Sally is more likely to guests during the evening bulletin so it's harder to maintain social distancing at the desk. Also, most of the cameras are currently in locked off positions. Therefore, moving from the desk to the sofa currently isn't achievable mid-show as it would mean moving lots of cameras (hence increasing staff input and creating possible risk for the sake of it). I think Southampton have some aspects of remote control so they can still do certain zooms etc remotely from the gallery but nothing too sophisticated (such as moving cameras across the floor and repositioning in different locations). So it's a case of either have the whole show from the desk or from the sofa. Guessing the sofa was seen to be the more suitable of the two but when things become more 'normal', they'll be able to transition between the two again as before.
Yes - most English regions have 'remote' cameras but not 'robotic' cameras. 'Remote' camera mountings allow for remote control of pan, tilt, zoom and focus, and in some cases elevation (i.e. height) - but only robotic cameras allow the camera ped to actually relocate within the studio. Robots are much more expensive and have a lot more safety restrictions. (Remote cameras on track like Furios - as used in many of the studios in NBH - are a kind of half-way house - they can only reposition themselves along the length of their tracks, and these tracks can be easily seen so reduce some of the safety issues involved)
When BBC News was based on the 6th floor at TV Centre, N2 had robotic cameras (used for the 'virtual' One, Six and Nine O'Clock News, and Business Breakfast/Breakfast News before they moved to TC7). N1, where BBC World was based, had remote cameras - as did TC7.
Repositioning remote cameras on the studio floor requires an additional person in the studio - which I guess Southampton are trying to avoid.
Last edited by noggin on 24 February 2021 9:22am